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I have been thinking that we are now living in an age of change, so rapid that it is hard to keep up, and that this is sort of new. Change is so prevalent, we're wired for it. Before the latest iPhone is released, we're anticipating the next version. But the truth is, everything is transitory. It always has been.
There is a way of living that is called wabi-sabi and looks at the transitory nature of things. My friend George has been talking about the wabi-sabi way. His excellent posts are here and here. I also wrote about it back in April 2008. It's hard to sum up wabi-sabi, as George says -- a world view that has been around thousands of years, but this is what I'm focusing on in this post: it emphasizes the beauty of things imperfect, impermanent, and incomplete.
My friend Tracy is moving soon, transitioning, traveling from her temporary home in Australia, back to Texas. She sent me a poem she'd heard the other day, which made her think of me, because it's about Michigan. I told her I'd posted it back in 2008, accompanied by this temporary map collage of Michigan I laid out with some significant Michigan symbols. (See that post for good comments about them.)
The map of Michigan existed for an hour or so in June 2008, then I put everything away. But the photo is still here for us to see. Think of photographs, and how they last and last, making us feel that things are permanent. They make us think we can hold on to something. As Susan Sontag said, on top of the already overwhelming happenings in the world, we also have photographs of them, adding to the weight of what we "know." Somehow by seeing those images, we think we understand, or think we should understand.
So. Things change, evolve, wear out. Funnily enough, I have a preference for material things that do change. Patinas that evolve. Not chrome. Not plastic. I love organic things. Wood. Leather. Paper. Natural fibers. Have you noticed that for the most part, organic materials age gracefully, but man made materials do not? A wool carpet is better after decades of foot falls. A wooden door frame gets polished with oil from hands. The marble floor of a cathedral begins to lie less perfectly flat after centuries of scuffling feet, in beautiful subtle waves. But a chrome fender is less attractive after a few decades of spreading rust. Plastic just looks dirty over time, with embedded grime in those artificial textures that factory molds create. Do you think it's an accident that my laptop made of steel and plastic is called Apple. And I named mine Apple Blossom?
It's time for another temporary collage -- this time, of me. Ruth. Featherhead. I have already been dismantled and elements put away. What is doesn't stay is for long.
But guess what. Sometimes things stay constant too. A little synchronicity I just found, post script: the tiny striped feather slipping down off the Upper Peninsula in the Michigan map collage is the same feather in the me collage below, in the middle of my forehead. Post post script: 2 more items in both collages, I just noticed -- two petals of the orange flower in Michigan became my lips, and the shell near Lake Michigan became my nose. EEEEEE.
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