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Photo 'lead type' from jm3 at flickr
via Creative Commons license
via Creative Commons license
Our children, and subsequent children, will know little about the printing press, movable type, and typesetting, except from history books and very cool art departments where book printing continues as an art form. My Uncle Jimmie had his own printing press and these tiny letters and symbols of different fonts. He had a nice little private printing business and printed our wedding invitations thirty-three years ago. I got to thinking about the loss of this painstaking "black art" sometime late afternoon yesterday, when I looked out the deck window and noticed that all the birds were gone. There had been hundreds of them on top of the bird seed on the ground all day. It got me thinking about . . .
What survives
Not a one is left
on the basin of groundunder the spruce tree
where sunflower seeds cover
snow
like black letters
on a white page
And evening draws down
its fade --
sky, rooftops and ground
the same shade of white-gray
The bamboo leaves
are still
and graceful,
like vintage wallpaper
A hundred birds
scavenged
all the day,
tirelessly
picking up and
rearranging black seeds
like typesetters preparing
the evening paper
for hours,
in a rush,
furiously, against
a cold night
as if their livelihood depended on it
as if a deadline approached
And where are they now
gone from this silent basin
Perched on the bars
of pine trees
inside a thick atmosphere
of huddling?
Their black claw feet
tapping each other,
knocking snow
from the boughs
their gullets
transforming seeds
into words
inside them
likey e s t e r d a y
and
t o m o r r o w
and
n o w
Listen to a podcast of this poem here.
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