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old book

Among the many things I inherited from my parents are a number of old books. My dad had books floor to ceiling in many rooms of our house.

This one, published in 1938 in England is a collection of 100 paintings on color plates.


I had never heard of this painter before, Gianbattista Moroni. The painting, above, is titled 'Portrait of a Tailor,' which is in The National Gallery in London.



Apparently my mom gave this book to my dad in 1939, before they were married (in 1941). (My brother Nelson kindly corrected the year of their marriage, which I posted wrongly as 1939 before.) My father was a Baptist minister.

He was also an artist in his own right, drawing this pen & ink of a hart, which he turned into the personalized book plate that is inside the cover of this book. This drawing was also etched into the headstone at my parents' grave (photo at bottom). His surname was Hart, and a 'hart' is another name for a deer. He loved the verse from the Psalms:

Psalm 42:1 (King James Version)
"As the hart panteth after the water brooks, so panteth my soul after thee, O God."

Click on the image above to see the detail better.

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pitchers


I haven't counted the pitchers we have, but here are a few, in the china cabinet I inherited from my dad. Any oak furniture we inherited were pieces my dad picked up. (The other wooden heirlooms were from my mom's parents or grandparents, or even great grandparents).

The little Belleek (bowing) lady in the top and second photos is one of my faves, given by my sister Nancy.



This little madonna is not a pitcher (obviously), but a soft stone sculptured piece from our days in Turkey. Don't recall exactly where we picked her up, out East I think, maybe Cappadocia.

The stacked pitchers below are for sauces and gravy. The bottom one, along with the stacks of plates and bowls here, are from the Johnson Bros set I bought at auction for $55 - service for 12! Later the set was appraised for $2,000. :)

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Bishop


People usually think our fine barn cat, Bishop, is a HE. That's a natural assumption.


But she is a SHE, named for poet Elizabeth Bishop. (Bishop and her brother Blake were the second pets I'd ever named, since I didn't have pets growing up -- 'Blake' for William Blake, of course. We had to give Blake away to a friend. The first pet I named was our Beagle 'Madeline.' I remembered naming her after Jane Seymour's character in 'The Winds of War' TV mini-series because of her big brown eyes. But I just looked up that show on http://www.imdb.com/, and it aired in 1983, well after we got Madeline in 1978, and Jane Seymour wasn't even in it. I think I'm losing my mind.)



Elizabeth Bishop


I fell in love with Elizabeth Bishop's poem 'The Fish' in a poetry class with my mentor, Diane Wakoski back in 1993. This poem swept me up into the possibilities of what poetry can do, how in just a few lines, the reader is transformed along with the poet.

(After planning this post, Don told me April is National Poetry month. That's nice.)


The Fish

I caught a tremendous fish

and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
He hadn't fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
-- the frightening gills,
fresh and crisp with blood,
that can cut so badly--
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
--It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
--if you could call it a lip--
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels--until everything
was rainbow, rainbow, rainbow!
And I let the fish go.


Elizabeth Bishop
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when animals die


Caution: This post has photos of dead animals.

Tuesday Don and I met at a restaurant to mark our 30th anniversary with a small celebration. Within a minute of arriving, not anticipating the effect it would have, he told me one of the new chicks - one of the White Crested Black Polish like the one above - had died that afternoon. I began to cry, and when the waitress came by to take my drink request, I couldn't speak or look at her. I'd had a stressful day at work, and the harsh reality of our little chicks' fragility came as a shock. Finally the waitress left so I could pull myself together. Poor Don felt terrible.

We didn't have pets in our home growing up. I think it was my dad who wasn't comfortable with animals, since Mom had dogs as a girl. As a result, I didn't have first-hand experience with the life and death cycles of pets, which would have been a good way to learn about death.

Since moving to the farm in 2003, I've had encounters with animals, such as these wild fauns that felt comfortable in our yard last summer after apparently losing their mother, probably hit by a car. One year the barn cat we inherited with the farm was hit by a car and killed (Rudy, not Bishop). How kind our neighbor Bill was to respectfully pull Rudy off the road into our yard before we got home.


On my 35-minute drive on country roads to work, I see a lot of road kill. Since the Department of Natural Resources doesn't remove animal carcasses from the roads any more, we get to watch the process of decomposure.






This deer was a mile from our house when I drove to work Wednesday. She's lying there right in the triangular spot at the middle of an intersection, a strange sort of cautionary traffic sign. It looks as though someone was planning to drag her off, with that blue rope around her neck. They gave up, I guess, and Thursday morning the deer was still there, but the rope was gone.








We see crows and buzzards picking at the flesh of the animal carcasses. At first I was disgusted by the sight. But after a few years, I'm grateful to watch the food chain at work and to know that the flesh of animals killed by human drivers will be eaten by other animals. By the way, if you hit a deer and kill it with your car, you are welcome to take the deer home, which many do for the meat.





Recently Don taught his 3rd graders about decomposers. If, for example, Thomas Jefferson's dog had not been decomposed by those organisms, it could still be lying visible in Virginia today.




I'm sorry if these pictures bother you. I must be becoming more of a farmer than I thought, because I'm getting used to such sights. I know that the deer population would grow completely out of control if we drivers didn't kill some of them and hunters didn't take their share. (I've hit two deer while driving. Both of them ran off, so I don't know if they died soon after that or not.)






I don't like seeing any animal die these violent deaths. But it is even harder for me to see the newest life forms die so quickly, like the quail chicks and chicken chicks Don is raising, even though I know a certain percentage of them will die in the natural order of things, even as babies. It's especially difficult when I've held them in my hands.

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30 . . . wha ?


Don and I were married 30 years ago on April 8, 1978.

My late brother Bennett took the photo, above, upon Don's and my engagement to be married, in August 1977. (My apologies to Bennett, and to you, for not PhotoShopping out the discolorations, which are especially visible if you click on the image to see it bigger. My wrist doesn't have the strength or fortitude.)
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I think it's my favorite.

Cherry pie with tart and dark sweet cherries.
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wind advisory

Click on the cartoon, above, from Jack “the Stargazer” Horkheimer to read the apparent origin of the old saying “in like a lion, out like a lamb” referring to the month of March. I find the story especially compelling since I am a Leo lion married to an Aries lamb.

Monday I’m not sure if March went “out like a lamb.” It did get warmer here in Michigan. But the wind kicked up, and we had a thunderstorm, both things I love, most of the time.

When I was a girl, we used to sit on our big front porch while thunderstorms pelted the ground, lit up the sky and filled the drain gutters to overflowing in our small town. We loved it.

In the middle of a windstorm at the lake I remember watching from the cottage down the hill while one of my sisters sat perched at the end of the dock, wrapped in a thick blanket, staring at white capped waves blowing across the water, her hair snapping like a flame.

In an airplane in 1975, I didn’t love high winds when returning from an eight week study abroad program in Europe, into the little Lansing airport. The winds were so gusty that our pilot, just before landing, suddenly torqued up our engines and soared back into the clouds for a different approach, into the wind. My parents were on the ground watching our wing tips dip side to side, almost scraping the tarmac.

Another time I didn’t like high winds was in ’79 when Don and I drove into southern California on one of our twenty-something adventures at midnight ready to pitch a tent in the KOA campground in the middle of a Santa Ana (pronounced “Santana”) windstorm. We managed to pound the tent stakes into the cement-like ground, but the wind flapped our tent so violently we couldn’t sleep, even though we had been driving west through and from Texas all day and were exhausted. We tried sleeping in our sleeping bags sitting in the front seats of our little Dodge Horizon. No good either. Then we drove another hour to Ginnie’s house (they weren’t home) in Pasadena and pitched our tent in their back yard (no doubt giving the neighbors pause).

I don’t like driving my tiny Chevy Aveo in high winds because it isn’t heavy enough on the road and gets blown around while I hold the steering wheel tight. Remember the Yugo that got blown off the Mackinac Bridge?


In 1989, a tragic accident captured the front pages of state newspapers. Leslie Pluhar's 1987 Yugo, a small car, plunged from the bridge more than 150 feet to the straits below. It was the first vehicle to fall off the five-mile span since it opened. Gale force winds blowing from the northwest helped lift her car off the roadway and over the side. In 1990, a Senate committee recommended replacing the bridge's 36-inch high outer railing with a 48-inch railing that curves inward toward the bridge deck.


Let me tell you, I thought about that incident when I drove across the same bridge last October.

But when I’m at home in my warm house, in jammies reading the latest New Yorker or The Sun, I love to hear a wind storm howl outside. That erratic tap tap tap of branches on the window and an occasional look out at the tilting trees, flexible and strong, is reassuring, even though I know most likely there will be branches torn and grounded by next morning.



This photo of our corn crib shows seeds blowing last May - not snow

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