young year, old dog

nature's way

Driving to the cottage for my family's Christmas Saturday we crawled through fog. Soon after arriving I went out to catch how it softened the lake on my digital sensor, which is good because through the day the fog thickened, and the lake disappeared. Warming temps and melting snow made a fairyland - blind and mysterious. When I shot these photos it was raining hard, so my brother Jim loaned me his wide-brimmed hat. That worked so well I think I have to get me one, and another for Mr. Nikon.
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The next day I was leaning back in the hot tub at home, before the sun rose. The wind was gusting at 50 mph, and I was fearful that a branch might bust and fly onto my head. But none did, and I lay there watching the high treetops sway and bob in the wind.
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The weather has been consistently inconsistent all week - ice, snow, rain, sun, wind, fog, warm, cold. Such is Michigan.
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After two days back on the farm I took a morning walk in the sunny meadow.
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Twelve inches of snow had melted in some places, leaving flattened Timothy grass, goldenrod, leaves and the rest of autumn's scattered bits. The sun shone on, and through, morning hoarfrost.

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A caveman must have used a leaf to paint this cave drawing on a crusty snow canvas. I love it. What an artist!-To me it looks like a mouse that's just eaten a snake.

Oh how pristinely the deer stepped.

Fallen sumac looked like flowers blooming winter petals or stamens.

And a friendly surprise: a wee pocket gopher ran across the path. Then he crouched shivering while I snapped away inches from his curious eyes, poor creature.
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family photo

I wore the earrings Peter picked up for me in St. John, New Brunswick that Gwen made. Aren't they beautiful? They made me feel tres elegante, like when I was a little girl playing dress-up with bobby pins clipped together and dangling from my ears, only better.
resolution: writing space and time
I intend to do more writing in 2009, and it's important to figure out when and where my best times and spaces are for that. I decided I need Rudyard Kipling's study after seeing it in a slideshow of authors' writing spaces at the online Architectural Digest, December 2008 issue. Is that too much to ask?
Ok, I could settle for Dylan Thomas' water and tree room on the cliff or what it reminds me of: l'atelier: rustic and sort of like a playhouse.-
Rudyard Kipling's study:

The Nobel Prize-winning writer Rudyard Kipling’s study at Bateman’s, in England, where he moved in 1902. The surrounding Sussex countryside would become the backdrop for later works, including Puck of Pook’s Hill and Rewards and Fairies.
This copy of Puck has illustrations by Arthur Rackham.
from Puck's Song (read Kipling's whole poem here)
Trackway and Camp and City lost,
Salt Marsh where now is corn;
Old Wars, old Peace, old Arts that cease,
And so was England born!
She is not any common Earth,
Water or wood or air,
But Merlin's Isle of Gramarye,
Where you and I will fare.
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Dylan Thomas' water and tree room on the cliff:
“A fresh beginning,” poet Dylan Thomas said of moving to the Boat House in the coastal village of Laugharne, in South Wales. Above: Thomas’s writing shed—his “water and tree room on the cliff”—displays pictures of D.H. Lawrence and Walt Whitman.
from Fern Hill
Now as I was young and easy under the apple boughsAbout the lilting house and happy as the grass was green,
The night above the dingle starry, . . .
. . . (finish Thomas' poem recollecting his childhood on a farm here; if you've never read "Fern Hill" please take a few minutes to read it for its lyricism alone, it is so beautiful, one of my faves, very "dingle starry"!)
Both "Puck" and "Fern Hill" are about country life in childhood, reflecting on farm life nostalgically. I think there is a little farm in all of us, and lucky me, I am spending my second childhood on one.l'atelier, our studio that Don and Peter converted from a chicken coop - before we had chickens. To answer Shicat, this building is still a studio. Don rejuvenated another coop in the big green barn for his brood.

gift to the world


winter solstice

On this shortest day of the year, we look out through the front window, between peeling porch posts, over the humble spirea's snowflake blossoms, and on to the neighbor's spruces across the road. I love the farm in all the seasons, but winter is the best, and this day must be the bestest as it's the winter-i-est of them all.
Inside, on the sofa in front of the window, oh dear, the fabric is starting to fray on the edges. I can never replace this fabric. Even if I could afford it, I doubt I could find anything like it. Horsemen trot along in a perpetually fruited orchard while farmhands pick pears. Quite fitting for the farm. (There's another image with detail, below.)
Some women meet here on the sofa too, though you can't see them. The couch belonged to Grandma Olive, a woman unknown to me except in stories and objects that traveled many miles and decades to get here. She was like Martha Stewart, with the same impeccable standards for design and beauty, and also lacking a bit in warmth. She died when I was four. My mom's dad (stepdad actually, her dad was far away, but her stepdad adopted her) remarried another woman after Olive died. We called her "Aunt Edith" - a wealthy, distant woman who is also represented on this sofa in the cushion she needlepointed with a daffodil. Edith didn't have children of her own (though she had one stillborn), and my memories of her are chilly and sharp. I don't have much to judge Olive and Edith with, except stories filtered through my family and a few memories of feeling inferior to rich relations. So why do I treasure their objects? These cushions are stuffed with down feathers, so soft you have to fluff them after sitting. Every time I do that I see Edith's chauffeur fluffing them when he came in before breakfast to ask when she needed the car. I'm still that wide-eyed preacher's child in a corner taking it all in, but no longer wishing for a life not meant for me. Years have changed the tools I use for measuring and observing. I know my own sharp edges that need softening, and I see how people's life choices are sometimes made out of pain. Olive was divorced young, she struggled with a temper, and when we packed up Mom's house I found tender letters she wrote to Mom lamenting her own failures as a mother and grandma. Also I can see how Edith's inability to have children might have turned her toward travel and material things for meaning. Even so, there is life in the stitches she made.
Now I lie back on the sofa while I meet Lesley on the phone, in the laps of Olive, Edith, and my mom - and feel all of us warm and soft.

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Today's Christmas decoration:
These Matroyshka stacking dolls observe from the piano, behind Grandma Olive's sofa.













