Poem: Nostalgia at the intersection of the teacup

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Nostalgia at the intersection of the teacup

I
My friend warned me he would die someday
soon and I thought
but I don’t even know you
yet.

II
On the same leaf
the fly with wings
shining silvery in the mouth
of sunlight
faced the butterfly with threadbare wings.
Together they equaled
atonement.

III
If I were clever enough
I would teach my tongue
to curl through hoops of fire
unscathed.
Only cleaner.

IV
We are victims
of life, uninformed in
moony fogs without
compassion
for what is possible.
Life needs amnesty.

V
The way heads of grasses
hang over the path
in the meadow is
more beautiful
than flowers.
In my humble opinion.
(I hang my head shamefully
to compare anything of beauty.)

VI
Sadly, I don’t like tea,
because the luster
of a teacup
makes me want to drink it
sitting in a room with happiness,
shadows, and a window.

VII
I am either the mother
of becoming or
the becoming of mother
or I may have it all wrong
and I’m really the skeleton
sphere
of a new world.
Don’t you love Plato, and Blake?

VIII
I do not think
the cosmos is a symphony
where the spirit sings
accompaniment.
I think you are a symphony
and the cosmos backs
you up.

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Sonnet: Praise for ordinary wonder

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Killdeer, by John James Audubon
from the book The Birds of America

“The passage into mystery always refreshes. If, when we work,
we can look once a day upon the face of mystery, then our labor satisfies."

—Lewis Hyde, The Gift, p. 25

Praise for ordinary wonder

The linen of a killdeer’s breast below

his throated rings flies suddenly before

the car and dips beneath a corn row.

Mundane the days can stretch, an endless floor

of samenesses, the tapering of leaves

of each and every fern, the ottoman

with piled familiar books, where villainies

and graces eternally have fallen.

But always I will honor the counting

of ten toes, digging into the blanket

in the burial of the day, not mourning

next day’s clone of this one with regret.

For in between the copies of each day’s

roads and words, a bird flies, and I'm amazed.

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Memory: Seduction

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I was already convinced this was the sky I wanted to sleep under, having met him that autumn on the mountain, walking back from the library to the house where my roommates were studying. My eyes had been down, my Clarks scrambling the gravel of the drive. I had been thinking about Hopi Indians who lived in the valley, and the paper I was writing. We do that, attach pen to paper after reading, sure that we know. That’s when he, the sky, pulled my gaze up like a hand and he was a Hopi dancer wearing indigo who’d just tossed his white feathers over his shoulder. He stomped his foot and said, Look: The sky was covered with a cloud of stardust.

Weeks later grounds keeper Bob dropped me off in a wilderness forest in the dark indigo of night miles away from our small campus. That term I was the only student taking the professors up on the offer of extra credit for a solo campout. With a flashlight Bob helped me find a tree, and in a couple of minutes I heard his truck drive away. I mummified in a sleeping bag under a low pine bow. I shivered with fright and human loneliness. I listened to sounds I knew nothing of. How far I was from being a daughter of the earth, lying there on top of the ground.

The night passed slowly. I never once heard the Hopi dancer stomp his foot. In truth, I hid from him under the arm of the Ponderosa pine.

In the morning light, I saw where I had slept. A forest red with pine needles, and fifty feet away, a lookout to the valley, which I hadn’t seen in the darkness. I pulled on my sweatshirt, dug into my pack for a jar of instant coffee, bottle of water, tin coffee pot, mug, and matches. I picked up sticks and walked to the edge of the valley. I built a fire in the dirt.

Before me, across the valley was Mt. Shasta, and what do you know, I saw where the Hopi dancer had tossed his white feathers, and I thought, where is he now. Asleep. Naked. Me forgotten.

Creative Commons photo of Mt. Shasta shared by renedrivers

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Poem: Dancers

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Dorothea and Francesca, by Cecilia Beaux, 1898

Dancers

inspired by the painting "Dorothea and Francesca"
by Cecilia Beaux

I am dancing like that.
I am there
in the pink satin folds
of their blousing
though not the blouse or skirt
themselves
but riding them
as a cork
rides waves
just dipped under the silk.
I am the curl
of the mother’s hair
as if I were smoke
and she the fire.
I am the rubbed flower
their shoes
point to outside the frame,
fragrance alone.
I am the rain
outside the house,
my drops
traipsing down
inside the silver of each
blade of grass,
imperceptible.
I am dancing like that.

Listen to a podcast of this poem here.

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Poem: 'bellwether' ~ for Char

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Char's image at her post wondering

bellwether

she has gone before

us

you and I

loping along

in this woolly herd

looking for something

green to eat

and return it

to the earth

transformed

I hear the distant

tinkle

of a bell

softened

in the rising earth

of the hill between us

My heart doesn't understand what my ears hear. Our friend Char of ramblins passed away suddenly June 6. She was just 53 years young. On the sidebar at her blog she had said:

life is too short to waste a single day:
eat cookies, dance when no one is looking,
and try to be as happy as you can.

She also quoted Charles de Lint:

When it's all said and done, all roads lead to the same end. 

So it’s not so much which road you take, as how you take it. 

 Another way of saying it is in one of her images — always simple, luxuriant and tender . . . 

You seem to be gone, but I still see, hear, and feel you, friend.

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Serenade to a rose: Stella by Starlight

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". . . not a dream,

My heart and I agree."

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Poem: Ars Poetica

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Ars Poetica

A poem makes the impossible
possible.

The poet becomes
a flying proboscis

extracting nectar
from material and

immaterial things.
Then comes the metamorphosis

of the honey. Or
a fly in the attic

descends onto a dusty old book,
which is really the poet,

and the fly’s nomadic feet feel
at home

on the mellow skin of her pages,
as light and moveable

as glyphs and black letters.
Or three minds

become three blackbirds
of a silhouetted tree

transposing notes
into black flames

breathed onto the musical score
of a telephone line.

We know what becomes
of what is written,

the little curled tongues floating
down

on the current of creaking
and arid

centuries:
They are firebirds

whose truth-wings
burn, dissolving into us

in ash, and then one day
right here in the wet ink

from our pollen-laden pen
get reconstituted

into the dewy surprise
of a just-born flyer.

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