Tesselating

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Our days run on in mundane, ordinary echoes of each other.
But think of honey from the tessellations of a honeycomb.
Consider the patient migration of a turtle in his symmetrical coat of arms.
What warm energy pushes within facsimiles and repetitions?
And what do their tiled borderings make possible,
like the scales of a snake’s skin that enable him
to undulate like an S of smoke sideways across the grass?

Eaglehawk Neck in Tasmania

one of the rare natural tesselations on the earth's surface;

see what natural movement formed it here.

Photo wiki commons

Drawings of symmetry by M.C. Escher; more here.

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Poem: Doorstep of a dream (title change)

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I danced but one waltz and fell into my chair by Mr. Tolstoy, where I listened to music and conversation much of the night. You were all so charming and bright, but I had awakened too early the night before and could not keep my eyelid shades up. In a few moments of drowse, a dream-poem found and sailed me back to the farm, where remnants of the sea floated and mingled in the strange dance of the mind. The room spun slowly down to stillness.

Doorstep of a dream

In a dream, a house is my self,
each room an aspect,

their windows a glaze of eyes,
as these poem lines

are my skin, the letters ears—
small shells

that hear the weeping
overflow of the apple tree,

which exhales tales of the sea
in waves, of its lost city,

fragged stones on a mythic beach,
which is anyway

and after all lozenged
here in the house of me.

On the doorstep of a dream,
or in the sand of this poem

leaves fallen on the ground
are my next hands

recasting what would otherwise
be blown, buried or

forgotten, into this day's
room, with a window, open.

Poetry should be heard.

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The Willow Ball!

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As Winter gets ready to hook her come-hither finger around the neck of the sun, our inner rooms begin to come alive with the warm glow of lamps, candles, a fireplace or wood stove, and a samovar for tea. It can only mean that the holidays are coming, and to start the season off properly, the Lady of Willow Manor shall throw her annual ball where everyone is welcome, no one excluded. With our bloggy imaginations we can publish fantasies right here with our fingers, choosing our dream escort and rich attire to adorn our perfect bodies. We are able to dance like gods and goddesses all cyber-night long. Maybe every girl who dreams of her someday-wedding gown at age five is really just dreaming of a ball. Which of us dreamed of anything as elegant (and sizzingly fun!) as Willow's Ball? And guess what, it's on the night of the full moon. With or without a full moon, no matter how perfectly envisioned and planned, things can go wildly out of control; you would not believe the stories from years gone by! Half the fun is reading reports of goings-on in the comments at Willow's blog the night of the ball! (Last year's here.) The ball is tomorrow, there's still time to gather your accoutrements and wits. Your invitation is here; Tess will have a Mr. Linky up in the next 24 hours or so. I didn't think I was in the mood for a ball, and here I am going on and on!

Update: Willow has declared the ball open, there are already acres of cars parked and terabytes of blogs to visit. The festivities are here!

I chose the white lace dress with yellow trims by James Tissot, at top. The whole scene is evocative, and although the painting is titled The Gallery of HMS Calcutta (Portsmouth), some call it Remembrance of an Onboard Ball. A ball on a small ship? Wow. The dress looks good from this side, I think, the side you see on the dance floor.

As for who will go with me, I don't plan on taking a chaperone, as in Tissot's painting. Just a man.

I learned last year, with my fine escort Fitzwilliam Darcy, that a dreamily handsome and charming date is not necessarily the best choice. I barely got one dance with him. He was popular even with the men! Quite a change from the snob who turned his nose up at dancing in certain ballrooms. But he had lost his pride, and anyway he could see that at Willow's Ball, everyone is a fine dance partner.

Because Leo Tolstoy has been my close companion for over a year (I hold him affectionately in my hands: War and Peace), after fingering through potential escorts in my heart's little black book, I realized he would be the perfect partner for the ball. After he picks me up in his skiff and we bob up river to the Manor, he will settle in with a book in a nook. (I offered him my Kindle—not Nook—to re-read W and P, but he said he's more interested in Rilke's letters from Russia.)

Tolstoy is not one for balls, despite his noble upbringing. But his choice of an ascetic life, he assures me, will not cause him undue discomfort in the presence of so much frivolous ruffle and draped satin. He craves the music. He is well on in years, and tired, so he will sit and listen, or read, while I dance the night away with whomever I wish. When I am fagged from waltzes and fox trots and need a few moments' rest, he will be waiting in his radiant corner to captivate me in conversation. Don’t worry about him being bored and neglected. See how he holds the chair open next to him? You too can sit and carry on discourse with Monsieur Tolstoy when you need a rest. I will concede this so long as I can cut in. I doubt very much that the chair will be empty for long, as we will all need a rest now and then, and hushed dialog about many things. (I want to tell him, for instance, what came of his epistolary acquaintance with Mohandas Gandhi a few decades after they corresponded for a year about nonviolent resistance until the end of his life in 1910.) At Tess’s Willow Ball, all things are possible, because while Monsieur Tolstoy speaks Russian and French, and I don't, we will magically understand one another.

Notes about the paintings:

The Gallery of HMS Calcutta (Portsmouth), circa 1876, sometimes called Remembrance of an Onboard Ball, by James Tissot, Tate collection

"Tissot often painted a man with two women in order to explore the subtle nuances of flirtation and attraction through body language and facial expression. Here a chaperone separates the young naval officer from the object of his attentions, the woman hiding her enjoyment of his flirtation behind her fan. Tissot focuses here on the boundaries of Victorian propriety and social convention, and their transgression. The languid pose of the nearest woman, and Tissot’s frank concentration on her fashionable hour-glass figure, inevitably led to the picture being criticised when it was first exhibited. The author Henry James dismissed it as ‘hard, vulgar and banal’." (From the display caption August 2004)

Leo Tolstoy, by Leonid Pasternak

This painting of my companion was done by Leonid Pasternak, father of the poet and novelist Boris Pasternak, best known for his novel Doctor Zhivago. Pasternak was a friend of Tolstoy's and painted illustrations for Tolstoy's novels. More info about Pasternak in a short bit I wrote for the Rilke blog here.

André Rieu is rehearsing Shostakovich's Russian Waltz for tomorrow night!

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Full House

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The week walks like a little girl in a brand new pair of black patent leather shoes, in a full house, ready for a huge piece of pumpkin pie with real whipped cream.

1Wednesday Inge and I toasted to eight years of good health and friendship since her breast cancer diagnosis. There is no way to express what this person I trust with all my being, with whom I have shared every discovery in tandem, means to me.

2Saturday the five of us (Don, me, Lesley, Brian, Peter—six with Poppy Seed) squeezed into Don’s new Chevy Cruze to drive down and help Don’s 83-year-old parents move into their new apartment. While the men moved the heavy stuff, Lesley and I made three pies: two apple and one pumpkin that we roasted a couple weeks ago. (If you don't have molasses in your recipe, add two tablespoons; you'll thank me.) I made pie crust from scratch for the first time in I don’t know how many years, and it was well worth the effort. (Ina Garten’s recipe was perfect.) A rare-for-me baking fest felt so good. Then feeding it to the five weary men felt even better.

3Tuesday is my Rilke blog partner Lorenzo’s 55th birthday. (Oops, I didn't ask him if I could tell you that, hope he doesn't mind.) Who'da thunk I'd have a blog partner in Spain whom I've never met? It just shows that you don't have to be with someone physically to develop a close friendship. Lorenzo's blog The Alchemist's Pillow is a haven of art enthusiasm and history, poetry, Spanish culture and other beauties that belie categorization. Happy Birthday, Lorenzo!

4Wednesday is the Willow Ball, and the moon goes harvest-full. Last week I wasn't feeling the ball thing, and then I got inspired. I'll tell you next post. I hope you'll go, because if you don't you'll feel like a slug. Everyone's invited. Go to the link and look at the invitation.

5Friday is our son Peter’s 29th birthday. He is now back in Michigan to live after moving to L.A. in the summer. All five of us are in Michigan now (six with Poppy Seed)! After Peter's accident last month, you can imagine my feelings hugging him a couple of weeks ago. His jaw is healing well; just a couple of more weeks of wiredness, and then we'll cut loose and celebrate his birthday a bit late with SOLID FOOD.

Now if only the Detroit Tigers win the American League title in the baseball playoffs against our son-in-law's Texas Rangers, we’ll be "hitting on all sixes ." To "hit on all sixes" is Jazz Age slang for performing at 100%, as in hitting on all six cylinders. Don's new Chevy Cruze doesn't have six cylinders, but it is a six-speed, the new Eco model. Sweet (but claustrophobic for five, especially when one of the five has a sixth in her).

The Wes Montgomery Quintet gets the idea of this glee in "Full House," recorded live in Berkeley in 1962. On Piano: Wynton Kelly; on tenor sax: Johnny Griffin; on bass: Paul Chambers; on drums: Jimmy Cobb. I love watching Wes's five l - o - n - g fingers on his right hand on the strings and the left five on the frets, then Wynton's five+five fingers on the keys while sun flare music and Wes's smile drive headlong on all six cylinders into my heart.

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Lessons and inspiration for a grandma-in-waiting

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"In January it will be so nice while slipping on the sliding ice to sip hot chicken soup with rice . . . " (when I hold my brand new grandson). "Sipping once, sipping twice, sipping chicken soup with rice." (Maurice Sendak, Chicken Soup with Rice: A Book of Months)

"Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them." (Antoine de Saint-Exupéry, The Little Prince)

"Granny, what was it like when Mummy was me?" (Tasha Tudor, A Time to Keep: A Book of Holidays; this illustration is not from that book, and I'm sorry I don't know which it is from.)

“When the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies.” (J. M. Barrie, Peter Pan, Arthur Rackham, illustrator)

"Well, please, North Wind, you are so beautiful, I am quite ready to go with you."

"You must not be ready to go with everything beautiful all at once, Diamond."

"But what's beautiful can't be bad. You're not bad, North Wind?"

"No; I'm not bad. But sometimes beautiful things grow bad by doing bad, and it takes some time for their badness to spoil their beauty. So little boys may be mistaken if they go after things because they are beautiful."

"Well, I will go with you because you are beautiful and good, too."

"Ah, but there's another thing, Diamond:—What if I should look ugly without being bad—look ugly myself because I am making ugly things beautiful?—What then?"

"I don't quite understand you, North Wind. You tell me what then."

"Well, I will tell you. If you see me with my face all black, don't be frightened. If you see me flapping wings like a bat's, as big as the whole sky, don't be frightened. If you hear me raging ten times worse than Mrs. Bill, the blacksmith's wife—even if you see me looking in at people's windows like Mrs. Eve Dropper, the gardener's wife—you must believe that I am doing my work. Nay, Diamond, if I change into a serpent or a tiger, you must not let go your hold of me, for my hand will never change in yours if you keep a good hold. If you keep a hold, you will know who I am all the time, even when you look at me and can't see me the least like the North Wind. I may look something very awful. Do you understand?"

"Quite well," said little Diamond.

(George McDonald, At the Back of the North Wind, Arthur Hughes, illustrator)

"But Peter, who was very naughty, ran straight away to Mr. McGregor's garden and squeezed under the gate!" (Beatrix Potter, The Tale of Peter Rabbit)

“Promise me you'll always remember: You're braver than you believe, and stronger than you seem, and smarter than you think." (Christopher Robin, to Winnie the Pooh, A. A. Milne, E. H. Shepard, illustrator)

Peter Spier, Rain.

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Poem: Red Pines

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Red Pines

Every day I drive to work
and it is the same thing. Listen
to two minutes of political news
or economic disaster. Turn it off. Sail
past farmlands with birds.
Sit at my desk, answer, type, question.
Drive home between the same
houses for sale. Work to Friday.

On Saturday the sun shines down
on the oasis of meadow and I get up
to walk the still-wet grass into the end
of summer. Sunflowers fall away
from the sun, petal-stripped but big
bellies of seeds still feeding the traffic
of chickadees. Goldenrod and Canada
thistle sputter in ragged frizzles out of
dirty brown stems; royal pokeberries
droop down down down like antique
necklaces from the necks of dowagers.

Long they stood, these thin strong
spines, day in and out. Would I
complain in their constant stillness,
rejoice in the skyslide of a storm?
So slow ! this meadow watching, and yet
too rushed the machinery of what I live.
Now they fall headlong, tassels touching
each other over the path, weaving a baldachin
over half-moons of egg-yolk mushrooms.
Orbs of green walnuts revolve around them
in planetary randomness.

Rain on my glasses blurs sight:
My favorite red pines in a long row glowing
and backlit — Are needles dying among
the soft green plumage? Tenderly I pull
a cluster, and without resistance they release
and fall into my palm, spent. Some blight
is taking the trees. O Beauty, where to?
I am always at the edge, this side of that. A fly
flies in and out, drawn to some heat
in me, or scent: the other. I am apart, skin
side out, embarking or disembarking
onto the path whose current pulls me
into the fields like kindness.

What honeyed dark energy sings
from the yellow soybeans in the field
next door as the beans dry brown, harvestable,
the green leaves going going almost gone?
Can the farmer, scientist
or economic analyst answer:
No matter the speed of matter,
no matter where we are falling,
what makes the heart keep accelerating?

Poetry should be heard.

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Mary Oliver: "Some Questions You Might Ask"

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Some Questions You Might Ask

by Mary Oliver

Is the soul solid, like iron?
Or is it tender and breakable, like
the wings of a moth in the beak of the owl?
Who has it, and who doesn't?
I keep looking around me.
The face of the moose is as sad
as the face of Jesus.
The swan opens her white wings slowly.
In the fall, the black bear carries leaves into the darkness.
One question leads to another.
Does it have a shape? Like an iceberg?
Like the eye of a hummingbird?
Does it have one lung, like the snake and the scallop?
Why should I have it, and not the camel?
Come to think of it, what about the maple trees?
What about the blue iris?
What about all the little stones, sitting alone in the moonlight?
What about roses, and lemons, and their shining leaves?
What about the grass?

~ from New and Selected Poems, Volume One, 1992

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