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Thinking in black and white

I’m grateful to live in a day when thinking in black and white terms is becoming less and less acceptable. Issues are complicated. Life is complicated. People recognize it now more than ever. It seems to me that since 9/11 my fellow citizens and I are more aware, more concerned about how and why things happen the way they do.

I don’t know history well, but I want to learn. I’m reading a 1980 book called The End of Order: Versailles 1919, by Charles Mee Jr. about the Treaty after WWI. What a mess that war and that treaty were! They set the tone for the violent 20th century.

These photographs say a lot.

One is a photo of the Hall of Mirrors at the Versailles palace in color (I visited there as a student back in 1975, but the photo is not mine). Though decadent and gaudy for my taste, it has its own beauty. Prisms bounce around the room from the chandeliers. Rainbows of color.

The second is a black and white shot of the men who signed the Versailles Treaty in 1919 in the same Hall of Mirrors, including our Woodrow Wilson. All men, all black and white. They each had their biases, set ways of looking at the world’s problems, which led to more disaster.


Mee writes:

“By January of 1919, as the delegates gathered in Paris for the Peace Conference, the shallow graves of Verdun were being washed out by the rains; feet stuck out of the ground, and helmets with skulls in them rose up through the mud. In this atmosphere, the diplomats gathered—and, far from restoring order to the world, they took the chaos of the Great War, and, through vengefulness and inadvertence, impotence and design, they sealed it as the permanent condition of our century.”

(original color photo at college.hmco.com/.../ image185_large.html)

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L'atelier

When inside the studio, I'm in a different place and time. A creativity exists in this small space that began with chickens laying eggs here in its henhouse days. The seed of life lingers here.

Now, collected stones and lights are laid here instead of eggs. It's a place for stillness, listening, and feeling the sun through the seven windows.



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Remembering Bennett

Ten years ago today, my brother Bennett died at age 47. He was eight years my senior.

What I recall about him:

  • watching www wrestling on TV
  • watching stock car racing on TV
  • eating 4 mayonnaise sandwiches after school
  • chasing ambulances, literally
  • loving to talk politics
  • wearing a black arm band at his college graduation in 1971 because of Vietnam
  • video taping the family at reunions for hours
  • his amazing photographs (that won many awards), which introduced me to the love of faraway places and travel
  • the beautiful land he bought in the country with plans to build a log home
  • planting 800 trees on that land and watching the deer eat many of them
  • watching a meteor shower together with our kids on his property
  • taking our parents on day trips around the state
  • driving truck or bus for years and years; man, he loved to drive
  • his wry sense of humor

Bennett, I miss you.

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Naming the Unnamable

a field on my drive to work

In “Ludicrous God Talk,” an article in the current issue of Spirituality & Health, Sam Keen writes about naming God.

“The Emperor of the Cosmos is everywhere present but nowhere to be found.”

About trying to name the Unnamable “Maybe it’s like pushing with your tongue against a tooth that is about to come out. The slight pain is slightly pleasurable.”

morning clouds

“No matter how mundane the medium, the experience of the holy is beyond predication or description. We don’t have the linguistic or conceptual needles with which to knit it.”

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Rooftop views

It's beautiful today and in the 40s with sunshine. So I was inspired this morning to click some pics (partly thanks to PG!).

Here are some views of MSU's campus (5,200 acres in all, it's one of the world's largest campuses) taken from the parking ramp across the street.

I love the slate roofs of some of the buildings, such as Berkey Hall in the foreground. Beyond that lies the mission style Old Horticulture building, and beyond that the Agriculture building.




The photograph below shows three buildings from different eras. In the foreground, the red brick and sandstone are Morrill Hall built in 1901, wherein my office in the English department lies. The porta-potty is atop the new parking ramp being constructed on the Grand River Ave side of Morrill.

Beaumont Tower, beyond Morrill on the right, was built in 1928 and its carillon contains 49 bells. The largest bell weighs 5,000 pounds; the smallest weighs 15 pounds. Click here for the MSU fight song! :)

Beyond that you can see the MSU football stadium that was rejuvenated in 2005 with luxury suites, thanks to the Ralph Young Fund.

Looking at these buildings from this height reminds me that sometimes I need a fresh perspective.

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Taking it in

Smoke from our wood burning stove

Moving to a farm in the country two years ago coincided with a new way of looking at the world. Part of the change was looking to nature for meaning, beauty, truth. Finding joy in simple, touchable, life-giving, cyclical routines.

I read a poem this morning by A.R. Ammons that says something about how I feel:


WHEN I WAS YOUNG THE SILK

When I was young the silk
of my mind
hard as a peony head
unfurled
and wind bloomed the parachute:

The air-head tugged me
up,
tore my roots loose and drove
high, so high

I want to touch down now
and taste the ground
I want to take in
my silk
and ask where I am
before it is too late to know
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Corn crib in February


We've got a cold snap: 9 degrees at 1:47pm. With wind chill it feels like -4. Only a few minutes to take pics before fingers start aching.

These images are the "corn crib," but not used for corn these days. Don stores his tractor and odds and ends in the middle, shown here, between the two enclosed sides. Then in one side, yard tools. The other is for firewood.

For a while, Don's tractor was for kicks, a joint "toy" he owned with his dad. But this winter he began using it to drag downed trees he later sawed for firewood.

All the outbuildings on our little 5 acres are occasionally propped with creative foundation materials, like this molded cement piece.

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