Novos Fimes do Cine HD

Nouvelle 55: The Storm

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Metropolitan Museum of Art

HE:    “What do you mean, love: ‘Hold on to me, we’re going to fly!'?"

SHE:  “I mean that if we stay, my father will banish you.
I would rather sail up together into the storm of the sky
rushing toward us now, than live out hell on earth
   —without you. The old Duke wants to marry meeee-eeee-- ~ - ~ - ~!


*Nouvelle 55 (nouvelle cinquante-cinq - I love how it sounds in French, humor me) is a form of flash fiction, in exactly 55 words, based on a work of art.


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Poem: Losing what we may not know we have

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Oxford, England

Too late I heard that yesterday was the last class of one of our treasured professors. I don't know what I would have done had I known. The colleague who told me it was Tess's last class also told me that back in the day, the department's faculty and staff would gather in the hallway outside a retiring professor's classroom at the close of their final class, and then erupt into applause as a collegial and hearty Well Done. I'm sad that we don't do this now in our department, and that I didn't even know what I'd missed, like so many things that have flowed off downstream and become part of our subconscious past.

Losing what we may not know we have
for Tess
Today I imagine you
in a late April room,
oak-trimmed and bright
with towered light leaning
on wide, flaking sills

your courageous falsetto,
the tone of women
from a certain age that is gone,
a time of white
gloves and great human

decency one to another.
Your final literature class
at university, and you, the last
medieval scholar. A boy
slouches, his phlegmatic leg

stretched long toward the girl’s
desk across the aisle
where her graced contours in black
leggings make him melancholy.
You incant the mysteries

of the humours, while blood
springs in these children
like fountains, splashing. I see you
last summer in Oxford,
your white-gloved finger lifting

the edge of parchment
of an ancient book in a Bodleian
room where the same sun
through oak windows
backlights the stirring leaves

of a plane tree, applauding you
in whispers from the splash
of its heart — O blood-sap,
Our lady professor, the river
of life through

your body of work,
your gravid body, the spray
of wrinkled hair, your
crackling voice, its spatter
on heavy stone where a black

bird lifts off, wings
billowing like a don’s sleeves,
silken, rippling against the sky.





Listen to a podcast of this poem here.

NOTE: It may well be that if one has to wear white gloves to touch a medieval book in the Bodleian Library, that sunlight is not allowed any more than a finger's oils. But humour me in your bilious objection, my friends, as I take poetic license.



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Here, have a chocolate chip waffle

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This image is the gate to the delights of my friend Terresa Wellborn, who has been generously featuring poets from the blogosphere during National Poetry Month at her blog The Chocolate Chip Waffle.

Today, I am her featured guest! What a wonder. You can get there from here.

I'll take this chance to tell you if you have not already passed through her gate that Terresa is a force of nature, as delicate and as strong as a cosmos flower rising up through a crack in the sidewalk.


Here is a sample of Terresa's poetry I especially like.



Red Shoes

I was thirty-three,
I wasn't sure I could carry it off,
throated birds sprouting as feet,
sunsets,
a catastrophe.

They rushed over my toes,
I couldn't help it,
they spoke in slick tongues,
an August heat.

They unbuckled like the
back porch unlocking rain,
the color you hear in
veins, colliding.

I wear them now
every day,
they speak nothing of
desire.

-Terresa Wellborn
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Poem: The Past speaks

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The Past is a prayer
for this future,

his flannel cuffs
rolled up to the elbows

where tattooed forearms
descend
and veined wrists
rise up like a sunrise,

his knuckles chapped
rocky hills

with outcropping
thumbs hooked in belt loops
on a pair of corduroy trousers,

their velvet
time-scraped
at the knees.

He shifts his big-boot feet
and finally raises his eyes,
staring straight from under

hooded brows
at me
his reckless daughter,
removing his belt,

I was hoping it wouldn’t come to this . . .




Listen to a podcast of this poem here.

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Impermanence, and what endures

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The tavern in the middle of our town looked like one of those windowless bars I rode by when I was a kid in the back of the station wagon on trips when for apparently moral reasons we couldn’t use the neon sign’s “Q” in “Liquor” for the alphabet game. Covered windows or no windows at all, I envisioned those bars dark, dirty and mysteriously bad inside, with men hunched under the roof around brown bottles of beer, like trolls under a bridge around unspeakable loot.

Don and I have lived a few years on a country road two miles from a town where a tavern has presided over its comings and goings for decades. Every weekday I drive through the village's eclectic row of houses and the four corners of downtown on my way to and from work. There is an alternate route I could take, but the town reassures me, with its thousand people who know each other and on summer evenings buy ice cream cones at the general store across from the tavern, leaning on posts while they lick Rocky Road, or lounging on the store steps smoking cigarettes. I fill up my gas tank on the third corner at the BP, deciding to support a business in town even as I support a company that administered a disaster. Maybe my gas money will help someone get compensation for the oil spill too. I can hope.

The tavern across from the general store is in a building that is 150 years old. That's when the Civil War began. We got to know the tavern, where neighbors and friends ate pizza and drank beer, Harley bikers stopped for breakfast on their smooth Sunday rides across the state, and cyclists by the dozen stopped for lunch and a rest. On Memorial Day the end of May, the owner sold barbecued ribs and chicken from his trailer in the parking lot during the parade. Once a month or so we got a booth in the smoky old joint and ate bar burgers or all you can eat Friday fish fries when we didn’t feel like cooking.

The tavern burned Wednesday in the middle of the night, no one hurt thankfully. Workers pulled down the hollow brick walls the next day when the fire had been put out by firefighters from all over. When I drove home Thursday, sort of forgetting that the tavern was gone, I turned the corner onto Jackson Street between the square of charred piles of bricks of the tavern and the general store, and suddenly I had to stop. I was in the midst of a crowd of hundreds of residents (half the town) who were standing in a vigil in the middle of the street gathered around the tavern’s owner standing by his pickup, letting him know they love him and want him to rebuild. Hands were held high with cell phones snapping pictures as friends stepped forward to hug him one by one. There I was, driving my little Aveo through the crowd (it was impossible to go back the way I’d come) dividing it like Moses parting the Red Sea, with the sea of people closing in together behind me. I may not know anybody in this town (I'm fine with that, we have good friends and big families), but I felt bolstered by their group hug that surrounded me like a living piece of cloth being unzipped and rezipped by me in my car and all that love.


The "trolls":
our son's friend Stephen and our son Peter
when we took Stephen, a world traveling
cruise ship videographer, to the town tavern
when he visited from Vancouver last year 

 Photo from the Lansing State Journal



Don snapped this pic with his cell phone;
what's left of the building in this shot
was pulled down the next day




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Six wild mallard eggs for Easter

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Aren't they beautiful?

The mother found this teepee shelter in the black locust wood near the old fallen apple tree to build her nest. She will lay one egg a day until she decides her brood is enough — maybe 10, or as many as 18 eggs. Then she will set her warm body on them for about a month. The ducklings will all hatch the same day, whichever ones survive the coyotes, foxes, hawks and crows. The drake will hang around for a few days, lounging and dabbling in the nearby pond, which is about 200 feet away. He will moult all his beautifully colored feathers and be flightless for about a month, in the eclipse plumage phase. The hen will show her brood the way to the pond, where they will know by instinct how to catch insects to eat. Then she will go moult her feathers and be flightless for a while too. In about 10 weeks after hatching, the ducklings will have feathers that look like their mom's.

We are starting to search for morel mushrooms in this wood, and the woods by the pond. Gotta look out for sprouting poison ivy though.



Here are a female and male mallard from the river on my campus.
















Happy Easter!
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Saturday Nights in the Minister's House

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Before my time, my father was an itinerant preacher, driving his old car through the Blue Ridge mountains of Virginia to four parishes, preaching sermons and ministering to the rural poor. They needed saving, and he had a heart for them. Maybe this is why he kept walking even long after he left Virginia for Michigan, where I was born. He was a walker, a bicycle rider, a car driver, a grocery store cart pusher. Get out the way of the good reverend.

Saturday nights, alone in the upstairs hall he paced in shirt and tie through a tunnel of ancient books with his shoes on, never in stocking feet or barefoot, on the velvet leaves of the Persian runner, rehearsing his Sunday sermon. Striding rhythmically by the books aligned at the edge of every shelf, his feet rang the steps from one end of the hall where his oak desk filled the bay window to the other end at the screen-doored balcony, the toes of his pendulum feet dotting each “i” and jotting every tittle of his Biblical speech.

Beneath him, I sat in the living room with the TV, hearing through the ceiling the creaking cadence of his feet. I prayed the walking would carry on, that he wouldn’t come down and see me watching and listening to a program he didn’t approve with a worldly man on the screen: Dean Martin, born forty years before me, the same year as my dad, but destined for a different vocation. In a black tuxedo, white shirt, and bow tie coming undone with one finger, he crooned. He stood on a different kind of platform, with another kind of mic than my father's. He sang me a rock glass lullaby, loving me with eyes half open from within a nimbus of cigarette smoke.

I had a thing for older men who looked different than my red-haired father. I went for men with dark hair and graying temples. If they were olive-skinned and brown-eyed, I was smitten. Even as a teenaged girl riding on airplanes to visit my sister in Chicago, I kept my eye on the middle-aged gentlemen in suits. I was too innocent, and outwardly aloof, to fall prey to the wrong kind of man, but I had fantasies of their attentions. Dean Martin was the model older man of my daydreams — beautiful, charming and funny.

If my dad paused in place in the hallway above me, suddenly silent, my heart would stop. I’d watch with anxiety for him to appear at the French doors. Then the old oak floorboards above me would chirp again and chide: a phrase in the sermon had been wrong. He’d stopped his hallway itinerary, corrected the line or word, and his steps were off again, pacing steadily, my heart commencing its beat.

I wondered what he had rewritten in the pause, and hallowed in cradling breath, what halo of dust was stirred up around his hesitating feet. What would I hear Sunday morning from the pulpit microphone that he had altered, out of some fault that needed forgiving, so that this time his voice would sound something like crooning?




 


Photo credits:
Top: Rolfe Horn
Bottom: "Candy Cigarette" by Sally Mann
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